Monthly Archives: April 2011

“Hyphy” Style Rapper Lil B Announces “I’m Gay” Album at Coachella

I hate to say I was right and I told you so, but, I WAS RIGHT!!! I TOLD YOU SO!!!

Two weeks ago I wrote an opinion piece for Colorlines.com about the fact that the hip-hop industry was going to change its tune around the place of queer artists within it, but that change, as 50 Cent noted, would likely be due to market forces of declining record sales and the way the gay consumer has become increasingly important market niche in global capitalism.

So last night at the famous Coachella Music Festival, up-and-coming hip-hop artist Lil B from Berkeley, California announced that he’s calling his upcoming album I’m Gay during his set. He stated (you can also watch in the video below):

“I’m gonna do the most controversial thing in hip-hop. Ya’ll heard it first. And I’mma just show you that words don’t mean s**t. I’mma make an album called ‘I’m Gay,’ right. Now I’mma tell you why I’m the first person to do it in hip-hop and why you’re the first people to know my reasons. I’m just gonna tell you. So many people be worried about what people mean and definitions of words and s**t… Now I like women, I love women, you feel me. But within yourselves, no matter what you do, it doesn’t matter, it’s like live life. You’ve only got one life to live. Be happy.”

Is Lil B coming out? Or is he using this as a way of tapping the gay market, and letting straight people know he’s not a homophobe? It’s worth noting he has a song called “Ellen Defgeners” where he’s rhyming about being famous and on television like Ellen Degeneres-no real mention of her sexuality but naming this white lesbian TV host as the standard of celebrity. Coachella is a great venue to do so, and get tons of publicity. The music festival has become an increasingly important venue for underground artists (so much so that mainstream artists like Prince, Kanye West and Rihanna have now all played there) to break into the mainstream, much like South By Southwest, if not bigger.

Now the question I have is when is the sexism and misogyny gonna go away in hip-hop? Will there ever be a reason, market forces or otherwise? Here’s a music video from Lil B…and if these 2009 lyrics are any indication (and I want to say I don’t mind overtly sexual lyrics or cursing in music, I wish I saw more straight men artist figure out how to rap about sex without being misogynist)…we have a long way to go…

UPDATE: Via Colorlines: Another article about Lil B.

Kenyon on Colorlines.com: 50 Cent’s New Pocketbook Values: Anti-Gay Won’t Pay, Even for Hip Hop

Just published a new piece on Colorlines.com about the Mister Cee from Hot 97 sex scandal:

The arrest last week of Hot 97 DJ and hip-hop legend Mister Cee for allegedly having commercial sex with a 20-year-old transgender woman has sparked another hip-hop “war,” this time between Cee’s Hot 97 colleague Funkmaster Flex and rival DJ Charlamagne tha God. Since Cee’s arrest, Flex and Charlamange, a former Wendy Williams sidekick, have been going at one another over the role of queer people within hip-hop, spurring a debate that’s sprawled from Twitter to the blogosphere and that’s been filled with a good bit of the expected homophobia and transphobia.

But a surprising voice has stepped into the forefront to defend Mister Cee: 50 Cent, one hip-hop’s favorite homophobes (and a friend to Mister Cee). Fifty could care less about queer folks, of course. But he does care about the Benjamins, and to him hip-hop’s pro-gay era needs to begin for one simple reason: Homophobia isn’t good for business anymore. Continued…

 

Morgan Freeman to Black People: “Get Over That Sh*t” Called Racism

Academy Award winning actor Morgan Freeman recently sat for an interview with BET.com. In it, he asserts that Black people complain too much about racism and white supremacy in Hollywood (and should follow the lead of the Chinese-his words, whom he asserts do no not complain about the lack of roles or racists depictions, which of course is not true. And even if it was, is shutting up about racism a model to be followed?), and that he does not consider the political impact on Blacks when he accepts different roles.

What’s your take on what’s been dubbed as the Black men blackout, i.e. the lack of African-American actors on stage, at this year’s Oscars?
I think we need to get over that s-t. How many Chinese do you see? You don’t see them out marching and s-t. Oh God please. I think … We need to get over it, that’s all.

Have you ever felt pressure to represent your people in a certain way in any of your films?
I don’t have any “my people.” I never had to deal with that part of my thing. Once, I straightened my hair when I was doing The Electric Company, and this woman comes up to me and says, “You…you… shouldn’t!” And I said, “Hold it. You don’t dictate my image. Get away from me.” And another one said, “But you’re a black man!” And I said, “Oh? Do tell!” After I played the president in Deep Impact, somebody said to me, “How does it feel to play a Black president?” And I was like, “Whoa, whoa. I didn’t play a ‘Black’ president. I played the president.” I don’t have to play Black.


And yet you’ve never shied away from controversial film portrayals of Black men like the pimp in Street Smart or the driver in Driving Miss Daisy. Has there been a special blueprint you’ve followed throughout your career?

I’m not shaped by anything at all except if it’s a good story and [has] an interesting character. I don’t have to worry about my image. My image has to do with my work. I’m not John Wayne. I’m an actor. I want to do anything that tells a good meaningful story. The part I play in it is just a part of that story.

Well I guess that helps explain why he wouldn’t cringe at playing Hoke in Driving Miss Daisy, and the Black side-kick in dozens of other films, giving him an estimated net worth of $90 million.

Wikipedia.com has an entire section on Freeman’s page called “Comments on Race.” It reads:

Freeman has publicly criticized the celebration of Black History Month and does not participate in any related events, saying, “I don’t want a black history month. Black history is American history.”[14] He says the only way to end racism is to stop talking about it, and he notes that there is no “white history month”.[15] Freeman once said on an interview with 60 MinutesMike Wallace: “I am going to stop calling you a white man and I’m going to ask you to stop calling me a black man.”[14] Freeman supported the defeated proposal to change the Mississippi state flag, which contains the Confederate battle flag.[16][17]

I guess Wikipedia can add this BET interview to this section of his sketchy biography.

Stunt Queen of the Week: Oprah Winfrey Gets the Last Laugh on Barbara Wa-Wa

I just heard about this, and chile, it is the read of all reads.

Oprah has pulled the biggest stunt on Barbara Walters. And I love O for it.

Rosie O’Donnell announced yesterday on her blog that she was moving to Chicago to host a new talk show in the 4pm time slot after Oprah goes off the air, to be produced out of Harpo Studios for the OWN Network. Oprah is also going to produce this show.

Why is this such a fierce stunt? I think Oprah has no love for Barbara Walters.

Iyanla Vanzant recently wrote in her book, Peace from Broken Pieces (which I highly recommend) that it was Barbara Walters and her team that first lured her from her bi-monthly spot on the Oprah Show year’s ago, and then treated her like shit. Oprah had told Iyanla at the time if anyone tries to steal you from us, please let me know who it is. Oprah only learned it was Walters months after Iyanla left Harpo (who had been developing Iyanla for her own show). When Iyanla recently appeared on Oprah to patch up their relationship after tthe split, Iyanla said her time working on her solo show, under the direction of Walters and View producer Bill Geddie, she was treated like “Chicken George and Kizzy” -a reference to two slaves from the book and film Roots. Iyanla noted that on her show, which had a multi-million dollar budget, she did not even have an office.

http://www.youtube.com/watch?v=jAipTDaClf4

Iyanla on Oprah

Everyone knows about the split between Walters and Rosie O’Donnell which was very public, and pretty brutal. What’s the best way to have revenge if you’re Oprah? GIVE YOUR PRIZED 4PM SPOT TO BARBARA’S ARCH NEMESIS!!! AND PUT YOUR NAME AND RESOURCES INTO SUPPORTING IT!!!! LMAO!!!!

That, my straight friends, is what the queer kids call a stunt! And Oprah Winfrey pulled the biggest stunt of all!

About Iyanla? Never you fret, she tweeted last week that after the Oprah show her book went to #1 on the NY Times Bestseller’s list, and that she has been offered a chance to come back to television. Might this be on the Oprah Winfrey Network? Time will tell.

Congrats Rosie. Congrats Iyanla. And Oprah, you better work! LOL!!!